This superlative pear-shaped polychrome ceramic vessel has two protruding crocodile
heads with a beautiful complex painted motif that stands on hollow rattle tripod
legs. Openwork mouth prominently exposes his upper and lower teeth. A ritual imagery
of Tlaloc is decorated between the upper and lower geometric designs. Buff Tan slip,
burnished, with black and orange-red paint.
The powerful crocodile prevailed in design schemes at an earlier period. The added
human or deity face on this vessel makes it very unique as both symbols are associated
simultaneously with the rains, fertility and life giver.
This deeply engraved bone idol is a Dignitary holding ritual objects. Surrounding the central figure are decorations of large bands of geometric shapes with small interlocking frets that progresses into the back..
An adorable set of four miniature assorted bowls. Black-on-red resist painted. Each distinctively designed. Deposits throughout surface with some rim chips and pitting...
A charming trio of small Bahia-type solid standing figurines. Each are sweet and
unique. The first wears an elaborate ear and nose ornaments. All measure over 4"
in height. Custom metal stand…
If you are searching for a book that ties together Andean mythology, Incan Historical Data and a new approach to those applications and relevancies into today, this book will impress you. Also available on
Superbly crafted Jamacoaque pectoral mask depicting a shaman in transformation, possibly into a dragon or other. Nicely detailed with crisply incised teeth, horns on the forehead and excellent paint throughout. Choice condition.
An Exceptional Manteño Bone Finial of Pachacamac "The Creator". This superb carving
expressively insinuates supreme status. High probability of this being made for an
extremely high ranked or important individual. Use of bone was very spiritual and
a highly valued…
A large Inca Caullama Stone Conopa in the form of a heavy fleeced Suri Alpaca. An
unusual deep “Torus shaped” qocha (reservoir) ground into back. Passed down in generations
from father to the eldest son. Used in…
A stunning and decorative vessel from the Guanajuato River Valley, Western Mexico.
This piece is adorned with stylized geometric patterns in red on burnished cream.
Globular base with double neck and handles…
A large and heavy solid unburnished buff slab figure from the Quimbaya culture, Caldas
complex. Rarer seated female with extended forward down arms and legs, both adorned
with incised bands painted in white. Rectangular shaped head with faint…
A sophisticated and important ceremonial vessel from the Tairona Culture. This unique
"Joined Chieftain Jar" represents a unity or marriage between a leading male and
female dignitary. The vessels are well tethered by a single strap…
A charming standing Jamacoaque adolescent. Adorned with traditional earrings, nose
ring and necklace. She wears a heavily designed skirt and matching shoulder tattoos.
Stage 2 Palmer Notched Incised. Carved stone figurine with face and legs indicated
(notched). This Formative culture represents the earliest known appearance of this
form of artistic expression in the New World. Similar examples in Ancient Ecuador
- Culture, Clay and Creativity 3000-300 B.C.
Large fine reptilian style effigy jar from the Nicoya Region of Costa Rica. This
superlative pear-shaped polychrome ceramic vessel has two protruding crocodile heads
with a beautiful complex painted motif that stands on hollow rattle tripod legs...
Exceptional granulite stone mortar. This superbly made mortar is in the shape of
a monkey. Linear design on both top and sides…
Valdivia 8 (Piquigua Phase) Atahualpa site Ecuador. Succeeds the Palmar Incised type.
Ultra Rare near choice stone. Monolith Limestone block in bas-relief embellished
with deep, wide excised carvings on all six sides. Four rectangular sides and two
square top and bottom…